Synopsis
Music, Sound, and the Moving Image is the first international scholarly journal devoted to the study of the interaction between music and sound with the entirety of moving image media – film, television, music video, advertising, computer games, mixed-media installation, digital art, live cinema, et alia.

Co-edited by Anahid Kassabian (University of Liverpool) and Ian Gardiner (Goldsmiths College), the journal is truly interdisciplinary, inviting contributions across a range of critical methodologies, including musicology and music analysis, film studies, popular music studies, cultural theory, aesthetics, semiotics, sociology, marketing, sound studies, and music psychology.

It is hoped that the journal also will provide an important focus for the similarly diverse and expanding community of media music scholars. The journal is published twice a year, and its first issues were open, embracing this diversity of topics and approaches. As it progresses it is intended that themed issues, under a guest editor, will alternate with open issues, perhaps encouraging writers to explore areas under-represented in current literature.

The editors welcome contributions offering the broadest interpretation of the journal’s title, not only seeking to build upon the existing scholarship on film music and film sound, but also to challenge its theoretical assumptions, and to extend its boundaries to include the full variety of moving image media and traditions.

For information on submitting manuscripts please click here Guidelines for Contributors

We would particularly welcome articles in these areas:

Music in Television
Computer Games
Bollywood and other Asian Cinemas
Cross-cultural perspectives
Modern Accompaniments to Silent Film
Live VJ-ing and Re-soundtracking
Genre and the Industry
Dubbing and sound mix strategies
The Film Musical
Gender and Performativity
Music and Sound in Early Sound Film
Music / Sound Strategies in Avant-Garde Cinema
Orchestration / the Role of the Orchestrator
Synaesthesia / Visual Music
Music, Sound, and Subjectivity
Library / Stock Music
Soundtrack Fan Cultures
Music and Advertising

Contributions should be original and should not have been previously published in any form, including all forms of electronic publication. Contributors are required to assign copyright to Liverpool University Press, and not to publish accepted articles or book reviews on web pages before they appear in Music, Sound, and the Moving Image.

Music, Sound, and the Moving Image is hosted online by Metapress and is accessible at http://liverpool.metapress.com/content/121629/. Online access is free to existing subscribers.

Editors
Anahid Kassabian, James and Constance Alsop Professor, University of Liverpool
Ian Gardiner, Composer; Lecturer, Goldsmiths College, University of London

Editorial Assistants
Tim McNelis
Elena Boschi

Book Reviews Editor
Holly Rogers, University of Liverpool

Translations Editor
Elena Boschi

Editorial Board
Annette Davison, University of Edinburgh
Kay Dickinson, Goldsmiths College
Kathryn Kalinak, Rhode Island College
Neil Lerner, Davidson College
Arnt Maasö, University of Oslo
Miguel Mera, Royal College of Music
Robynn Stilwell, Georgetown University
James Tobias, University of California
Susanna Välimäki, University of Helsinki

Advisory Board
Rick Altman, University of Iowa
Jay Beck, DePaul University
Julie Brown, Royal Holloway, University of London
Phil Brophy, www.philipbrophy.com
David Burnand, Royal College of Music
Norma Coates, University of Western Ontario
David Cooper, University of Leeds
Kate Daubney, University of Leeds
James Deaville, Carleton University
Kevin Donnelly, University of Southampton
Murray Forman, Northeastern University
Peter Franklin, University of Oxford
Simon Frith, University of Stirling
Anthony Grajeda, University of Central Florida
Larry Sider, National Film and Television School
Philip Tagg, University of Montreal
Hae-kyung Um, University of Liverpool
Carol Vernallis, Wayne State University

Editorial Correspondence
Editorial correspondence, including articles submitted and books for review, should be addressed to

Music, Sound, and the Moving Image
Department of Music
University of Liverpool
80 Bedford Road South
Liverpool
L69 7WW
Email: journal@liv.ac.uk

Ordering Information
Music, Sound and the Moving Image (ISSN 1753-0768) is distributed worldwide for Liverpool University Press by Marston Book Services. For details of subscription rates and ordering information, go to www.marston.co.uk or contact:

Subscriptions
Marston Book Services Ltd
PO Box 269
Abingdon
Oxfordshire
OX14 4YN
UK
Tel. +44 [0]1235 465 537
Email: subscriptions@marston.co.uk

For sample copies and information on advertising in Music, Sound and the Moving Image, contact Janet Smith at Liverpool University Press: j.m.smith@liv.ac.uk

2010 Journal Subscription Rate

Please contact Clare Hooper clare.hooper@liv.ac.uk

2011 Journal Subscription Rate

For two issues:

Online Only Rates:
Institutions £68.00 (EEA/ROW) $121.00 (USA & Canada)
Individuals £53/$89

Print and Online rates:
Institutions £85.00 (EEA/ROW) $151.00 (USA & Canada)
Individuals £66/$112

Student rates are not available for this journal

Print ISSN 1753-0768 Online ISSN 1753-0776